Notice: Function _load_textdomain_just_in_time was called incorrectly. Translation loading for the responsive-lightbox domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home1/alvasin/public_html/alvascollege/wp-includes/functions.php on line 6114

Warning: Cannot modify header information - headers already sent by (output started at /home1/alvasin/public_html/alvascollege/wp-includes/functions.php:6114) in /home1/alvasin/public_html/alvascollege/wp-includes/rest-api/class-wp-rest-server.php on line 1893

Warning: Cannot modify header information - headers already sent by (output started at /home1/alvasin/public_html/alvascollege/wp-includes/functions.php:6114) in /home1/alvasin/public_html/alvascollege/wp-includes/rest-api/class-wp-rest-server.php on line 1893

Warning: Cannot modify header information - headers already sent by (output started at /home1/alvasin/public_html/alvascollege/wp-includes/functions.php:6114) in /home1/alvasin/public_html/alvascollege/wp-includes/rest-api/class-wp-rest-server.php on line 1893

Warning: Cannot modify header information - headers already sent by (output started at /home1/alvasin/public_html/alvascollege/wp-includes/functions.php:6114) in /home1/alvasin/public_html/alvascollege/wp-includes/rest-api/class-wp-rest-server.php on line 1893

Warning: Cannot modify header information - headers already sent by (output started at /home1/alvasin/public_html/alvascollege/wp-includes/functions.php:6114) in /home1/alvasin/public_html/alvascollege/wp-includes/rest-api/class-wp-rest-server.php on line 1893

Warning: Cannot modify header information - headers already sent by (output started at /home1/alvasin/public_html/alvascollege/wp-includes/functions.php:6114) in /home1/alvasin/public_html/alvascollege/wp-includes/rest-api/class-wp-rest-server.php on line 1893

Warning: Cannot modify header information - headers already sent by (output started at /home1/alvasin/public_html/alvascollege/wp-includes/functions.php:6114) in /home1/alvasin/public_html/alvascollege/wp-includes/rest-api/class-wp-rest-server.php on line 1893

Warning: Cannot modify header information - headers already sent by (output started at /home1/alvasin/public_html/alvascollege/wp-includes/functions.php:6114) in /home1/alvasin/public_html/alvascollege/wp-includes/rest-api/class-wp-rest-server.php on line 1893
{"id":6816,"date":"2019-03-14T10:16:52","date_gmt":"2019-03-14T04:46:52","guid":{"rendered":"https:\/\/alvascollege.com\/?page_id=6816"},"modified":"2023-07-19T15:32:20","modified_gmt":"2023-07-19T10:02:20","slug":"english-library","status":"publish","type":"page","link":"https:\/\/alvascollege.com\/department\/ug\/english\/english-library\/","title":{"rendered":"English Library"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
SL. NO.<\/strong><\/td>\nTITLE OF THE BOOKS<\/strong><\/td>\nAUTHOR<\/strong><\/td>\nPUBLICATION & PUBLISHER<\/strong><\/td>\nLIBRARY ACC NO<\/strong><\/td>\n<\/tr>\n
1.<\/td>\nRABINDRANATH TAGORE<\/p>\n

OMBIBUS 1st<\/td>\n

RABINDRANATH TAGORE<\/td>\nRUPA PUBLICATIONS, NEW DELHI<\/td>\n07<\/td>\n<\/tr>\n
2.<\/td>\nRABINDRANATH TAGORE<\/p>\n

OMNIBUS 3rd<\/td>\n

RABINDRANATH TAGORE<\/td>\nRUPA\u00a0 PUBLICATIONS, NEW DELHI<\/td>\n08<\/td>\n<\/tr>\n
3.<\/td>\nPRACTICAL ENGLISH USAGES<\/td>\nMICHAEL SWAN<\/td>\nOXFORD UNIVERSITY PRESS, OXFORD 2005<\/td>\n09<\/td>\n<\/tr>\n
4.<\/td>\nRABINDRANATH TAGORE<\/p>\n

OMNIBUS 2nd<\/td>\n

RABINDRANATH TAGORE<\/td>\nRUPA\u00a0 PUBLICATIONS, NEW DELHI<\/td>\n10<\/td>\n<\/tr>\n
5.<\/td>\nOXFORD CONCISE COMPANION TO ENGLISH LITERATURE<\/td>\nDINAH BIRCHI & KATY HOOPER<\/td>\nOXFORD UNIVERSITY<\/p>\n

Pub. 4d 2012<\/td>\n

11<\/td>\n<\/tr>\n
6.<\/td>\nCOMMUNICATION ENGLISH MADE EASY<\/td>\n<\/td>\nSAPNA BOOK HOUSE , BANGLORE<\/td>\n12<\/td>\n<\/tr>\n
7.<\/td>\nTHE ENGLISH LANGUAGE<\/td>\nCL . WNENN<\/td>\nSUJAT PUBLICATION, DELHI 2013<\/td>\n13<\/td>\n<\/tr>\n
8.<\/td>\nTALES FROM TAGORE<\/td>\nRABINDRANATH TAGORE BY RACHAL MAC BEAN<\/td>\nBOOK UNIVERSITY , KOLKATA<\/td>\n14<\/td>\n<\/tr>\n
9.<\/td>\nA GLOSSARY OF LITERARY ITEMS<\/td>\nMH ABRAHMS<\/td>\nCENGAGE LEARNING INDIA, pvt. Ltd<\/td>\n15<\/td>\n<\/tr>\n
10.<\/td>\nBEGINNING THEORY: ON INTRODUCTION TO LIFE NANY CULTURAL THEORY<\/td>\nPETER BAREY<\/td>\nVIVA BOOKS, NEWDELHI<\/td>\n16<\/td>\n<\/tr>\n
11.<\/td>\nOXFORD ADVANCED LEARNINGS DICTIONARY<\/td>\nED. LEONI HEY<\/p>\n

SUZANNE<\/td>\n

OXFORD UNIVERSITY PRESS<\/td>\n17<\/td>\n<\/tr>\n
12.<\/td>\nKANNADA \u2013 ENGLISH DICTIONARY<\/td>\nF.KITTEL<\/td>\nASIAN EDUCATIONAL SERVICES<\/td>\n20<\/td>\n<\/tr>\n
13.<\/td>\nCHAMBERS 21ST<\/sup> CENTURY DICTIONARY<\/td>\nED. MAINI ROBINSON<\/td>\nALLIED PVT. LTD. , NEW DELHI<\/td>\n21<\/td>\n<\/tr>\n
14.<\/td>\nESSAYS OF LEDIA<\/td>\nCHARLES LAMB<\/td>\nLAXMINANNYAN AGARWAL, AGRA<\/td>\n22<\/td>\n<\/tr>\n
15.<\/td>\nAN OUTLINE OF ENGLISH LITERATURE<\/td>\nWILLIAM HENRY HODSON<\/td>\nMAPLE PRESS PVT. \u00a0NOIDA<\/td>\n23<\/td>\n<\/tr>\n
16.<\/td>\nCOLLINS COHUILD ADVANCED LEARNERS ENGLISH DICTIONARY<\/td>\nMICHELA DANI<\/td>\nHalee COLLINS PUBLISHERS, GLASSGOW<\/td>\n24<\/td>\n<\/tr>\n
17.<\/td>\nTHE SIRENS SONG ANTHOLOGY OF BRITISH AMERICAN VERSE<\/td>\nED. DAVID MURDOCH<\/td>\nORIEN LONGMAN, PVT LTD<\/td>\n25<\/td>\n<\/tr>\n
18.<\/td>\nENGLISH LITERATURE: \u00a0MHOD WTICH FOR MADUS<\/td>\nR.J REES<\/td>\nMACMILLIAN PUB. MDIA LTD. DELHI<\/td>\n26<\/td>\n<\/tr>\n
19.<\/td>\nMALGUDI DAYS<\/td>\nR.K NARAYANAN<\/td>\nINDIAN THOUGHT PUBLICATION<\/td>\n27<\/td>\n<\/tr>\n
20.<\/td>\nTHETNEARERY THE POEST SONV AND LYRICAL FORMS IN ENGLISH LANGUAGE<\/td>\nFRANCIS TURME PALGRAM<\/td>\nOXFORD PUBLISHING CO. PVT.LTD.<\/td>\n28<\/td>\n<\/tr>\n
21.<\/td>\nHISTORY OF ENGLISH LITERATURE: VOLUME 2 , ROMANTIC, VICTORIAN, MODERN AGE<\/td>\nW.R GOODMAN<\/td>\nDOALA HOUSE<\/td>\n29<\/td>\n<\/tr>\n
22.<\/td>\nHISTORY OF ENGLISH LITERATURE VOLUME 1, SURVEY ENGLISH LITERATURE<\/td>\nW.R GOODMAN<\/td>\nDOALA HOUSE<\/td>\n30<\/td>\n<\/tr>\n
23.<\/td>\nCULTURE IMPERIALISM<\/td>\nEDWARD W. SAID<\/td>\nVINTAGE BOOKS<\/td>\n31<\/td>\n<\/tr>\n
24.<\/td>\nA COMPENDIVEN OF HISTORY OF ENGLISH LITERATURE<\/td>\nR.D TRIVEDI<\/td>\nVIKAS PUBLISHING HOUSE PVT. LTD.<\/td>\n32<\/td>\n<\/tr>\n
25.<\/td>\nMLA LANDBOOK FOR RESEARCH PAPERS<\/td>\n<\/td>\nAFFILIATED EARTWEST PRESS PVT. LTD.<\/td>\n33<\/td>\n<\/tr>\n
26.<\/td>\nTAMAS<\/td>\nBHIHAM SALEIN<\/td>\nPENGUIN BOOK INDIA PVT. LTD.<\/td>\n34<\/td>\n<\/tr>\n
27.<\/td>\nESSENTIAL ENGLISH GRAMMAR<\/td>\nRAYMOND MENPHY<\/td>\nCAMBRIDGE UNIVERSITY PRESS INDIA PVT. LTD.<\/td>\n35<\/td>\n<\/tr>\n
28.<\/td>\nASPECTS OF NOVEL<\/td>\nE.M FOSLER<\/td>\nPENGUIN BOOKS LTD.<\/td>\n36<\/td>\n<\/tr>\n
29.<\/td>\nDICTIONARY OF LITERARY TERMS AND LITERARY THEORY<\/td>\nJ.A CUDDON<\/td>\nPENGUIN BOOKS LTD<\/td>\n37<\/td>\n<\/tr>\n
30.<\/td>\nMAKING INDIA AWESOME<\/td>\nCHETAN BAGAT<\/td>\nRUPA PUBLICATION<\/td>\n38<\/td>\n<\/tr>\n
31.<\/td>\nTHE IMPORTANCE OF BEING EARNEST AND ETHN, PLAYS<\/td>\nOSCAN WEILDN<\/td>\nRUPA PUBLICATION<\/td>\n39<\/td>\n<\/tr>\n
32.<\/td>\nPMJAN: THE SKELETON AND OTHER STORIES<\/td>\nAMRITA PRITAM<\/td>\nTARA PRESS<\/td>\n40<\/td>\n<\/tr>\n
33.<\/td>\nHISTORY AND PRINCIPLES OF LITERARY CRITICISM<\/td>\nMANZEER HURSAIN<\/td>\nNAVYANG PUBLICATION AND DISTRIBUTORS<\/td>\n41<\/td>\n<\/tr>\n
34.<\/td>\nIMDOMITABLE SPIRIT<\/td>\nAPJ ABDUL KALAM<\/td>\nRAJPAL AND SONS<\/td>\n42<\/td>\n<\/tr>\n
35.<\/td>\nON ILLUSTRATED HISTORY OF PERMANENT INDIAN LITERATURE ON ENGLISH<\/td>\nED. ALVIRD KRISHNA MEHROHRA<\/td>\nPERMANENT BLACK<\/td>\n43<\/td>\n<\/tr>\n
36.<\/td>\nSPOKEN ENGLISH AND FUNCTIONAL GRAMMAR<\/td>\nDR. P C DAS<\/td>\nNEW CENTRAL BOOK AGENCY<\/td>\n44<\/td>\n<\/tr>\n
37.<\/td>\n101 SHORT STORIES<\/td>\nANTON CHEKON<\/td>\nBOOK CLUB<\/td>\n45<\/td>\n<\/tr>\n
38.<\/td>\nTHE WORLD\u2019S GREATEST SHORT STORIES<\/td>\n<\/td>\nJAI PUBLISHING HOUSE, KOLKATA<\/td>\n46<\/td>\n<\/tr>\n
39.<\/td>\nTHE MAKING OF ENGLISH\u00a0 LITERATURE<\/td>\nR.A SCOTT JAMES<\/td>\nSUNJET PUBLICATION<\/td>\n47.<\/td>\n<\/tr>\n
40.<\/td>\nTHE ENGLISH LANGUAGE<\/td>\nC.L. WRENN<\/td>\nAITBS PUBLICATION INDIA<\/td>\n48<\/td>\n<\/tr>\n
41.<\/td>\nPATHWAY TO GOD IN KANNADA LITERATURE<\/td>\nR.D. RAMADE<\/td>\nBHARATIYA VIDYA BHAVANA<\/td>\n49<\/td>\n<\/tr>\n
42.<\/td>\nBEGINNING PORT MODERNISM<\/td>\nTIM WOODS<\/td>\nVIVA BOOKS<\/td>\n50<\/td>\n<\/tr>\n
43.<\/td>\nTHE GROWTH AND SHUCHU OF THE ENGLISH LANGUAGE<\/td>\nANNA KANNIAN<\/td>\nSTUDENT STORE<\/td>\n51<\/td>\n<\/tr>\n
44.<\/td>\nTHE COMPLETE WORKS OF WILLIAM SHAKESPEARE<\/td>\n<\/td>\nBANARS AND NOBEL<\/td>\n52<\/td>\n<\/tr>\n
45.<\/td>\nTHE SHORT OXFORD HISTORY OF ENGLISH LITERATURE<\/td>\nANDREW SANDEVS<\/td>\nOXFORD UNIVERSITY<\/td>\n53<\/td>\n<\/tr>\n
46.<\/td>\nCAMBRIDGE ENGLISH PRONOUNCING DICTIONARY<\/td>\nDANIY JONES<\/td>\nCAMBRIDGE UNIVERSITY PRESS<\/td>\n54<\/td>\n<\/tr>\n
47.<\/td>\nINTRODUCTION TO LITERATURE CRITICISM AND THEORY<\/td>\nINDREW BENETHE NICHOLAS RAGLE<\/td>\nDARLING KINDS SKY<\/td>\n55<\/td>\n<\/tr>\n
48.<\/td>\nTHE NORTON ANTHOLOGY OF THEORY AND CRITICISM<\/td>\nED. VINCENT B. LEITECH<\/td>\nW.L.N ONTON AND COMPANY<\/td>\n56<\/td>\n<\/tr>\n
49.<\/td>\nA CRITICAL HISTORY OF ENGLISH LITERATURE VOLUME 1ST<\/sup> FROM THE BEGINNING TO MECTON<\/td>\nDAVID DACHES<\/td>\nSUPERNOVA PUBLICATION AND DISTRIBUTORS<\/td>\n57<\/td>\n<\/tr>\n
50.<\/td>\nA CRITICAL HISTORY OF ENGLISH\u00a0 LITERATURE VOLUME 2ND<\/sup> THE RESTORATION PERIOD TO THE PRESENT DAY<\/td>\nDAVID DACHES<\/td>\nSUPERNOVA PUBLICATION<\/td>\n58<\/td>\n<\/tr>\n
51.<\/td>\nTHE RISE OF THE NOVEL BEFORE \u00a0RICHARDSON AND HIELDING<\/td>\nIAM WATT<\/td>\nPINLIES CO.<\/td>\n59<\/td>\n<\/tr>\n
52.<\/td>\nTHE NORTON ANTHOLOGY OF ENGLISH LITERATURE HEITH ED. VOLUME D<\/td>\nSTEPHEN GREEN LTD<\/td>\nPINLIES CO<\/td>\n60<\/td>\n<\/tr>\n
53.<\/td>\nTHE NORTON ANTHOLOGY OF ENGLISH LITERATURE HEITH ED. VOLUME E<\/td>\nSTEPHEN GREEN LTD<\/td>\nPINLIES CO<\/td>\n61<\/td>\n<\/tr>\n
62.<\/td>\nTHE NORTON ANTHOLOGY OF ENGLISH LITERATURE HEITH ED. VOLUME F<\/td>\nSTEPHEN GREEN LTD<\/td>\nPINLIES CO<\/td>\n62<\/td>\n<\/tr>\n
63.<\/td>\nGREAT ENGLISH ESSAYS FROM BACON CHESTERTON<\/td>\nED. BOLE BLASDELE<\/td>\nDOVEA PUBLICATION<\/td>\n63<\/td>\n<\/tr>\n
64.<\/td>\nTHE NORTON ANTHOLOGY OF LIFE AFRICAN AMERICAN<\/td>\nHENRY LOEUISGS<\/td>\nW.W NORTON AND COMPANY<\/td>\n64<\/td>\n<\/tr>\n
65.<\/td>\nENGLISH CONVERSATION PRACTICE<\/td>\nGRONT JAGLEA<\/td>\nMEGROW HILL EDUCATION PVT. LTD. INDIA<\/td>\n65<\/td>\n<\/tr>\n
66.<\/td>\nULYSES<\/td>\nJAMES JAYLE<\/td>\nMAPLE PRESS PVT. LTD.<\/td>\n66<\/td>\n<\/tr>\n
64.<\/td>\nALL TIME GREAT ELARSIES<\/td>\nLEO TOLSTOY<\/td>\nBLACK ROSE PUBLICATION<\/td>\n67<\/td>\n<\/tr>\n
65<\/td>\nARISTOTLE POETRIES<\/td>\n<\/td>\nPENGUIN BOOKS PVT. LTD<\/td>\n68<\/td>\n<\/tr>\n
66.<\/td>\nNEW INTERCHANGE ENGLISH FOR INTERNATIONAL COMMUNICATION<\/td>\nJACK C RICHARDA<\/td>\nCAMBRIDGE UNIVERSITY PRESS<\/td>\n69<\/td>\n<\/tr>\n
67.<\/td>\nINDIAN WRITING IN ENGLISH<\/td>\nK. R SRINIVAS IYENGAR<\/td>\nSTYLING PUBLISTERS (P) LTD<\/td>\n18<\/td>\n<\/tr>\n
68.<\/td>\nLONGMAN DICTIONARY OF CONTEMPORARY ENGLISH FOR ADVANCED LEARNERS<\/td>\nEDITED BY MICHAEL MAYOR<\/td>\nPEARSON EDUCATION LTD<\/td>\n19<\/td>\n<\/tr>\n
69.<\/td>\nBIOGRAPHIES OF 20TH<\/sup> CENTURY WRITERS<\/td>\nARCHAMA SRINIVAS<\/td>\nSURAS<\/td>\n71<\/td>\n<\/tr>\n
70.<\/td>\nENGLISH \u00a0WORDS OFTEN CONFUSED<\/p>\n

 <\/td>\n

BN SADASHIVA RAO<\/td>\nSURA’S<\/td>\n70<\/td>\n<\/tr>\n
71.<\/td>\nA.P.J ABDUL KALAM<\/td>\nSELF<\/td>\nRUPA<\/td>\n72<\/td>\n<\/tr>\n
72.<\/td>\nSYNOPHONES AND HOMOPHONES<\/td>\nD. JNANASUNDAR<\/td>\nSURA’S<\/td>\n73<\/td>\n<\/tr>\n
73.<\/td>\nBEGINNING POST COLONIALISM<\/td>\nJOHN MCLEOD<\/td>\nVIVA BOOKS<\/td>\n75<\/td>\n<\/tr>\n
74.<\/td>\nMODERN INDIAN POETRY IN ENGLISH<\/td>\nBRUCE KING<\/td>\nOXFORD UNIVERSITY PRESS<\/td>\n76<\/td>\n<\/tr>\n
75.<\/td>\nTHE COMPLETE SHORT STORIES OF MARRK TWAIN<\/td>\nCHARLES NEIDER<\/td>\nBANTAM BOOK<\/td>\n74<\/td>\n<\/tr>\n
76.<\/td>\nLITERARY CRITICISM \u2013 A SHORT HISTORY<\/td>\nWILLIAM W. WINSAT<\/p>\n

CLEANTH BROOKS<\/td>\n

OXFORD<\/td>\n77<\/td>\n<\/tr>\n
77.<\/td>\nILIAD<\/td>\nHOMER<\/td>\nFINGER PRINT CLASSIC<\/td>\n78<\/td>\n<\/tr>\n
78.<\/td>\nCOLLECTED STORIES<\/td>\nANiTA DESAI<\/td>\nRANDOM HOUSE INDIA<\/td>\n79<\/td>\n<\/tr>\n
79.<\/td>\nBENGALI STORIES EVER TOLD<\/td>\nALUNAVA BINHA<\/td>\nRUPA PUBLICATION<\/td>\n80<\/td>\n<\/tr>\n
80.<\/td>\nTHE TIME MACHINE<\/td>\nH.G WELLS<\/td>\nFINGER PRINT CLASSIC<\/td>\n81<\/td>\n<\/tr>\n
81.<\/td>\nESSENTIAL ENGLISH<\/td>\nSURESH KUMAR<\/td>\nORIENT BLACK SWAN<\/td>\n82<\/td>\n<\/tr>\n
82.<\/td>\nENGLISH IMPROVEMENT COURSE<\/td>\nH.S. BHATIA<\/td>\nRMESH PUBLISHING HOUSE<\/td>\n83<\/td>\n<\/tr>\n
83.<\/td>\nTEACHING AND LEARNING ENGLISH<\/td>\nM.L TICKOO<\/p>\n

 <\/td>\n

ORIENT BLACK SWAN<\/td>\n84<\/td>\n<\/tr>\n
84.<\/td>\nA PRACTICAL ENGLISH GRAMMAR<\/td>\nA.J THOMSON<\/p>\n

A.V MARTINANT<\/td>\n

OXFORD UNIVERSITY PRESS<\/td>\n85<\/td>\n<\/tr>\n
85.<\/td>\nTHE TEACHER’S GRAMMAR OF ENGLISH<\/td>\nRON COWAN<\/td>\nCAMBRIDGE UNIVERSITY PRESS<\/td>\n86<\/td>\n<\/tr>\n
86.<\/td>\nFINACIAL EXPERT<\/td>\nR.K NARAYAN<\/td>\nINDIAN THOUGHT PUBLICATION<\/td>\n87<\/td>\n<\/tr>\n
87.<\/td>\nA PARTIAIT OF THE ARTIST AS A YOUNG MAN<\/td>\nJOMES JOYLE<\/td>\nRUPA PUBLICATION<\/td>\n88<\/td>\n<\/tr>\n
88.<\/td>\nWUTHERING HEIGHTS<\/td>\nEMILY BRONTE<\/td>\nUBS PUBLISHERS<\/td>\n89<\/td>\n<\/tr>\n
89.<\/td>\nHAYAVADANA<\/td>\nGIRISH KARNAD<\/td>\nOXFORD UNIVERSITY PRESS<\/td>\n90<\/td>\n<\/tr>\n
90.<\/td>\nSEVEN ONE \u2013 ACT PLAYS<\/td>\nK.S RAMMURTHY<\/td>\nOXFORD UNIVERSITY PRESS<\/td>\n91<\/td>\n<\/tr>\n
91.<\/td>\nRUDYARD KIPLING<\/td>\nKIM<\/td>\nBANTOM CLASSIC<\/td>\n92<\/td>\n<\/tr>\n
92.<\/td>\nCONTEMPORARY\u00a0 LITERARY AND CULTURAL THEORY<\/td>\nPRAMODH K NAYAR<\/td>\nPEARSONS PUBLICATILNS<\/td>\n93<\/td>\n<\/tr>\n
93.<\/td>\nCLASSIC CHARLES DICKENS 1<\/td>\nCHARLES DICKENS<\/td>\nPENGUIN BOOKS<\/td>\n94<\/td>\n<\/tr>\n
94.<\/td>\nSAMSKARA<\/td>\nU R ANANTHAMURTHY<\/td>\nOXFORD UNIVERSITY PRESS<\/td>\n95<\/td>\n<\/tr>\n
95.<\/td>\nCULTURE\/METACULTURE<\/td>\nFRANCIS MULHERN<\/td>\nROUTLEDGE<\/td>\n96<\/td>\n<\/tr>\n
96.<\/td>\n<\/td>\n<\/td>\n<\/td>\n97<\/td>\n<\/tr>\n
97.<\/td>\nCONTEMPORARY CRITICISM AN ANTHOLOGY<\/td>\nV S SETHURAMAN<\/td>\nTRINITY PRESS<\/td>\n98<\/td>\n<\/tr>\n
98.<\/td>\nA HISTORY OF ENGLISH LANGUAGE<\/td>\nALBERT C AND THOMAS CABLE<\/td>\nROUTLEDGE<\/td>\n99<\/td>\n<\/tr>\n
99.<\/td>\nCOMPANION TO COMPETITIVE LITERATURE, WORLD LITERATURES AND COMPARITIVE CULTURAL STUDIES<\/td>\nSTEVEN TOTOSYDE<\/p>\n

ZEPETNEK<\/p>\n

TUTUN MUKHERJI<\/td>\n

FOUNDATION BOOKS<\/td>\n100<\/td>\n<\/tr>\n
100.<\/td>\nTHE BIRTH OF TRAGEDY<\/td>\nFRIEDRICH NIETZSEHE<\/td>\nOXFORD UNIVERSITY PRESS<\/td>\n101<\/td>\n<\/tr>\n
101.<\/td>\nCONTEMPORARY CRITICISM<\/td>\nV.S SETURAMAN<\/td>\nTRINITY<\/td>\n102<\/td>\n<\/tr>\n
102.<\/td>\nTHE SONNETY<\/td>\nG BLACKEMAU EVENY<\/td>\nCAMBRIDGE UNIVERSITY PRESS<\/td>\n103<\/td>\n<\/tr>\n
103.<\/td>\nTHE MAN EATER OF MALGUDI<\/td>\nR. K NARAYAN<\/td>\nINDIAN THOUGHT PUBLICATION<\/td>\n104<\/td>\n<\/tr>\n
104.<\/td>\nWORD\u2019 S SHORT STORIES<\/td>\n<\/td>\nJAICO PUBLISHING HOUSE<\/td>\n105<\/td>\n<\/tr>\n
105.<\/td>\nTESS OF THE D’URBERVILLES<\/td>\nTHOMAS HARDY<\/td>\nUBS PUBLISHER AND DISTRIBUTORS<\/td>\n106<\/td>\n<\/tr>\n
106.<\/td>\nENGLISH POETRY FROM THE ELIJABETHANS TO THE RESTORATION AN ANTHOLOGY<\/td>\nPRAMODH K NAYAR<\/td>\nORIENT BLACK SWAN<\/td>\n107<\/td>\n<\/tr>\n
107.<\/td>\nGOLDEN TREASURY<\/td>\nFRANCIS TURNER PALGRAVE<\/td>\nOXFORD UNIVERSITY PRESS<\/td>\n108<\/td>\n<\/tr>\n
108.<\/td>\nMY EXPERIMENTS WITH TRUTH AN AUTOBIOGRAPHY<\/td>\nMAHATMA GANDHI<\/td>\nMAPLE PRESS CLASSICS<\/p>\n

COMPLETE AND UNBRIDGED<\/td>\n

109<\/td>\n<\/tr>\n
109.<\/td>\nWAITING FOR THE MAHATMA<\/td>\nR. K NARAYAN<\/td>\nMODERN CLASSICS<\/td>\n110<\/td>\n<\/tr>\n
110.<\/td>\nTHE STORY OF THE PHILOSOPHY<\/td>\nKLETT DURANT<\/td>\nPOCKET BOOKS<\/td>\n111<\/td>\n<\/tr>\n
110.<\/td>\nBEST OF ANTON CHEKHOW<\/td>\n<\/td>\nSANHI PUBLICATIONS<\/td>\n112<\/td>\n<\/tr>\n
111.<\/td>\nTHE CONCISE CAMBRIDGE HISTORY OF ENGLISH LITERATURE<\/td>\nGEORGE SAMPSON<\/td>\nCAMBRIDGE UNIVERSITY PRESS<\/td>\n113<\/td>\n<\/tr>\n
112.<\/td>\nPRACTICAL CRITICISM<\/td>\nV. S SETURAMAN<\/p>\n

CI INDRA<\/p>\n

T SRIRAMAN<\/td>\n

TRINITY PRESS<\/td>\n114<\/td>\n<\/tr>\n
113.<\/td>\nTHE BEGINNING OF THE MAHABHARATA AND OTHER STORIES<\/td>\nTERRY O’ BRIEN<\/td>\nRUPA PUBLICATION<\/td>\n115<\/td>\n<\/tr>\n
114.<\/td>\nINDIAN POETRY IN ENGLISH<\/td>\nHARIMOHAN PRASAD<\/td>\nTRINITY PRESS<\/td>\n116<\/td>\n<\/tr>\n
115.<\/td>\nTHE HAPPY MONK AND OTHER STORIES<\/td>\nA.S PANCHAPAKESA AYYAR<\/td>\nRUPA PUBLICATION<\/td>\n117<\/td>\n<\/tr>\n
116.<\/td>\nA CROCODILE MAKES HISTOR<\/td>\nA.S PANCHAPAKESA AYYAR<\/td>\nRUPA PUBLICATION<\/td>\n118<\/td>\n<\/tr>\n
117.<\/td>\nTHE PILLAR OF JUSTICE<\/td>\nA.S PANCHAPAKESA AYYAR<\/td>\nRUPA PUBLICATION<\/td>\n119<\/td>\n<\/tr>\n
118.<\/td>\nTHE BEAUTY MYTH<\/td>\nMAOMI WOLF<\/td>\nVINTAGE BOOKS<\/td>\n120<\/td>\n<\/tr>\n
119.<\/td>\nMYTHOLOGIES<\/td>\nROLAND BARTHES<\/td>\nVINTAGE BOOKS<\/td>\n121<\/td>\n<\/tr>\n
120.<\/td>\nTHE LONG SILENCE<\/td>\nSHASHI DESHPANDE<\/td>\nPENGUIN BOOKS<\/td>\n122<\/td>\n<\/tr>\n
121.<\/td>\nTHE GOD OF SMALL THINGS<\/td>\nARUNDATHI ROY<\/td>\nPENGUIN BOOKS<\/td>\n123<\/td>\n<\/tr>\n
122.<\/td>\nMIDNIGHT CHILDREN<\/td>\nSALMAN RUSHDIE’S<\/td>\nVINTAGE BOOKS<\/td>\n124<\/td>\n<\/tr>\n
123.<\/td>\nSTRUTURALIST POETICS<\/p>\n

(STRUCTURALISM, LINGUISTICS AND THE STUDY OF LITERATURE)<\/td>\n

JONATHAN CULLER<\/td>\nLONDON AND NEW YORK<\/td>\n125<\/td>\n<\/tr>\n
124.<\/td>\nCOLLECTED PLAYS VOLUME ONE<\/td>\nGIRISH KARNAD<\/td>\nOXFORD UNIVERSITY PRESS<\/td>\n126<\/td>\n<\/tr>\n
125.<\/td>\nTHE COMPLETE PLAYS OF ARITOPHANES<\/td>\nB<\/td>\nBANTAM CLASSICS<\/td>\n127<\/td>\n<\/tr>\n
126.<\/td>\nPRACTICAL ENGLISH GRAMMAR<\/td>\nE S RAMASWAMY<\/td>\nFIRST EDITION<\/p>\n

AN IMPRINT OF SURA COLLEGE OF COMPETITIONS<\/td>\n

128<\/td>\n<\/tr>\n
127.<\/td>\nFIRST DEGREE LANGUAGE TEXT BOOK<\/p>\n

Bsc 1st<\/sup><\/td>\n

BOARD OF EDITION<\/td>\nORIENT BLACK SWAN<\/td>\n129<\/td>\n<\/tr>\n
128.<\/td>\nFIRST DEGREE LANGUAGE TEXT BOOK<\/p>\n

Bsc 1st<\/sup><\/td>\n

BOARD OF EDITION<\/td>\nORIENT BLACK SWAN<\/td>\n130<\/td>\n<\/tr>\n
129.<\/td>\nOROONOKO<\/td>\nAPHRA BEHN<\/td>\nPENGUIN BOOKS<\/td>\n131<\/td>\n<\/tr>\n
130.<\/td>\nEXPLORING LANGUAGE AND LITERATURE<\/td>\nBOARD OF EDITION<\/td>\nORIENT BLACK SWAN<\/td>\n132<\/td>\n<\/tr>\n
131.<\/td>\nEXPLORING LANGUAGE AND LITERATURE<\/td>\nBOARD OF EDITION<\/td>\nORIENT BLACK SWAN<\/td>\n133<\/td>\n<\/tr>\n
132.<\/td>\nTHE WASTELAND OF OTHER POEMS<\/td>\nADITYA MANDWANI<\/td>\nANMAL PUBLICATION<\/td>\n134<\/td>\n<\/tr>\n
133.<\/td>\nTHE HEART OF MIDLOTHIAN<\/td>\nKLATER SCOTT<\/td>\nCASSEL AND COMPANY LTD<\/td>\n135<\/td>\n<\/tr>\n
134.<\/td>\nTHE MIGGER OF THE\u00a0 NURCIDSUS<\/td>\nJOSEPH CONRAD<\/td>\n<\/td>\n136<\/td>\n<\/tr>\n
135.<\/td>\nA WOMEN KILLED WITH KINDNESS<\/td>\nTHOMAS HEYWOOD<\/td>\nNICKHERN BOOKS LONDON<\/td>\n137<\/td>\n<\/tr>\n
136.<\/td>\nTHE COMING STRUGGLE FOR POWER<\/td>\nJOHN STARCHEY<\/td>\nNABU PUBLIC DOMAIN REPRINTER<\/td>\n138<\/td>\n<\/tr>\n
137.<\/td>\nTHE PLAYS OF KALIDASA<\/td>\nBARBARA STOLER MILTER<\/td>\nMOTILAL BANARSIDAS PUBLICATION<\/td>\n139<\/td>\n<\/tr>\n
138.<\/td>\nTHE MYTHOLOGY OF IMPERIALISM<\/td>\nJONAH RUAKIN<\/td>\nAAKAR BOOKS<\/td>\n140<\/td>\n<\/tr>\n
139.<\/td>\nINTRODUCTION TO STUDY OF AUSTRALIAN LITERATURE<\/td>\nZORA BERNIS MAH CROSS<\/td>\nGYAN BOOKS<\/td>\n141<\/td>\n<\/tr>\n
140.<\/td>\nAUSTRALIAN LITERATURE<\/td>\nDR. SHIV GOVINDH PURI<\/td>\nALTANLIC PUBLICATIONS<\/td>\n142<\/td>\n<\/tr>\n
141.<\/td>\nAUSA FOLKLORE<\/td>\nR. SUTHERLAND RATTRAY<\/td>\nCLARENDON PRESS(ORIGINAL PUB)<\/p>\n

ABELA PUBLISHING LONDON<\/td>\n

143<\/td>\n<\/tr>\n
142.<\/td>\nCLASSICAL HINDU MYTHOLOGY<\/td>\nCORNELLA BIMMIT<\/td>\nMOTILAL BANARASIDARS PUB<\/td>\n144<\/td>\n<\/tr>\n
143.<\/td>\nINDIAN MYTHOLOGY<\/td>\nDEVDUCC PATTCCA NAIL<\/td>\nINNER TRADITIONS<\/td>\n145<\/td>\n<\/tr>\n
144.<\/td>\nAN INTRODUCTION TO INDIAN PHILOSOPHY<\/td>\nSATISCHANDRA CHATTERJEE<\/td>\nRUPA PUBLICATION<\/td>\n146<\/td>\n<\/tr>\n
145.<\/td>\nGULLIVER’S TRAVEL<\/td>\nJONATHAN SWIFT<\/td>\nRUPA PUBLICATION<\/td>\n147<\/td>\n<\/tr>\n
146.<\/td>\nPARADISE LOST AND PARADISE REGAINED<\/td>\nJOHN MILTON<\/td>\nWILDER PUBLICATIONS<\/td>\n148<\/td>\n<\/tr>\n
147.<\/td>\nMETAMORPHOSIS<\/td>\nFRANZ KAFKA<\/td>\nBANTAM CLASSICS<\/td>\n149<\/td>\n<\/tr>\n
148.<\/td>\nTHE LAST OF THE MOHICANS<\/td>\nJAMES FENIMOR<\/td>\nCOOPLER MAPLE PRESS<\/td>\n150<\/td>\n<\/tr>\n
149.<\/td>\nCONTEMPORARY POST COLONICAL THEORY<\/td>\nPADMINI MONGIA<\/td>\nOXFORS UNIVERSITY PRESS<\/td>\n151<\/td>\n<\/tr>\n
150.<\/td>\nCOLLECTED PLAYS<\/td>\nGIRISH KARNAD<\/td>\nOXFORS UNIVERSITY PRESS<\/td>\n152<\/td>\n<\/tr>\n
150.<\/td>\nGOD FATHER<\/td>\nMARK WINIGARDHER<\/td>\nARROW BOOKS<\/td>\n153<\/td>\n<\/tr>\n
151.<\/td>\nULYSSY<\/td>\nJAMES JOYA<\/td>\nRUPA CO.<\/td>\n154<\/td>\n<\/tr>\n
152.<\/td>\nTHE GOLDEN BOWL<\/td>\nHENRY JAMES<\/td>\nWORDSWORTH CLASSICS<\/td>\n155<\/td>\n<\/tr>\n
153.<\/td>\nTEACHING REASERCH AND APTITUDE<\/td>\n<\/td>\nATLANTIC REASEARCH DIVISION<\/td>\n<\/td>\n<\/tr>\n
154.<\/td>\n1984 A NOVEL<\/td>\nGEORGE ORWELL<\/td>\nRUPA CLASSICS<\/td>\n156, 157, 158<\/td>\n<\/tr>\n
155.<\/td>\nORIENTATION- WESTERN EARAPTION OF THE ORIENT<\/td>\nEDWARD W SAID<\/td>\nPENGUIN BOOKS<\/td>\n159<\/td>\n<\/tr>\n
156.<\/td>\nANTHOLOGY OF AFRICAN LITERATURE<\/td>\nANTHONIA C KALU<\/td>\nVIVA BOOKS<\/td>\n160<\/td>\n<\/tr>\n
157.<\/td>\nBROKEN VOW AND OTHER STORIES<\/td>\nB. S RAO<\/td>\nACME\u00a0 BOOKS<\/td>\n161<\/td>\n<\/tr>\n
158.<\/td>\nENGLISH LITERATURE (PAPER 2nd<\/sup> & 3rd\u00a0\u00a0 )<\/td>\nSUKRITI SOBTI AND PREMLATA DHANKER<\/td>\nARIHANT PUBLICATIONS<\/td>\n162<\/td>\n<\/tr>\n
159.<\/td>\nANIMAL FARM<\/td>\nGEORGE ORWELL<\/td>\nRUPA CLASSICS<\/td>\n<\/td>\n<\/tr>\n
160 <\/td>\n EVERYBODY LOVES A GOOD DROUGHT <\/td>\n P SAINATH <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
161 <\/td>\n IMAGINING INDIA <\/td>\n NANDAN NILEKANI <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
162 <\/td>\n TRAVEL WRITING AND THE EMPIRE <\/td>\n SACHIDANANDA MOHANTY <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
163 <\/td>\n EL DORADO REVISITED <\/td>\n ACHALA MOULIK <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
164 <\/td>\n HARBRINGERS OF RAIN <\/td>\n A R VASAVI <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
165 <\/td>\n SOCIAL SUFFERING <\/td>\n ARTHUR KLUNMAN <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
166 <\/td>\n A COMPANY OF READERS <\/td>\n W H AUDEN <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
167 <\/td>\n MODERN ENGLISH GRAMMAR <\/td>\n K S YADURAJAN <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
168 <\/td>\n GOLDEN JUBLEE OF SCRIBE’S ODYSSEY <\/td>\n C M RAMACHANDRA <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
169 <\/td>\n LANGUAGE AS A DYNAMIC TEXT <\/td>\n R AMRITAVALI <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
170 <\/td>\n A WRITER’S NIGHTMARE <\/td>\n R K NARAYAN <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
171 <\/td>\n GRACE AND GLORY OF VEDIC DHARMA <\/td>\n PANDITH SUDHAKAR CHATURVEDI <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
172 <\/td>\n INDIA: THE RISE OF AN ASIAN GIANT <\/td>\n DIETMAR ROTHERMUND <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
173 <\/td>\n THE DISCOVERERS <\/td>\n DANIEL J BOORSTIN <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
174 <\/td>\n HOW TO HAVE A BEAUTIFUL MIND <\/td>\n EDWARD DE BONO <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
175 <\/td>\n THE LIFE OF GALILEO <\/td>\n BERTOLT BRECHT <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
176 <\/td>\n L K JHA MEMORIAL LECTURE SERIES <\/td>\n RESERVE BANK OF INDIA <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
177 <\/td>\n PERSPECTIVE, POLICIES AND PROGRAMMES <\/td>\n R RADHAKRISHNA <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
178 <\/td>\n THE FUTURE OF FREEDOM <\/td>\n FAREED ZAKARIA <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
179 <\/td>\n WAVES IN THE HINTERLAND <\/td>\n FARAH NAQVI <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
180 <\/td>\n THE FOUNDATION OF EARLY MODERN EUROPE <\/td>\n ANTHONY GRATON <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
181 <\/td>\n KARNATAKA <\/td>\n LAVISH BHANDARI <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
182 <\/td>\n THE PRICE OF EVERYTHING <\/td>\n EDUARDO PORTER <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
183 <\/td>\n THE LITERARY COMPANION <\/td>\n EMMA JONES <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
184 <\/td>\n HOW MODI WON <\/td>\n HARISH KHARE <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
185 <\/td>\n A TRIBUTE TO SIR P T <\/td>\n INDIAN INSTITUTE OF BANKERS <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
186 <\/td>\n THE SOCIAL LIFE OF INFORMATION <\/td>\n JOHN SEELY BROWN <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
187 <\/td>\n THE STANDARD OF LIVING <\/td>\n AMARTYA SEN <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
188 <\/td>\n CRISIS OF CHARACTER <\/td>\n PETER FIRESTIEN <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
189 <\/td>\n A TERIIBLE BEAUTY <\/td>\n PETER WATSON <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
190 <\/td>\n THE LIBERALS <\/td>\n HINDOL SEN GUPTA <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
191 <\/td>\n STRICTLY PERSONAL <\/td>\n DAMAN SINGH <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
192 <\/td>\n BEYOND DEGREES <\/td>\n IRA PANDE <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
193 <\/td>\n AN ENEMY OF THE PEOPLE <\/td>\n HENRIK IBSEN <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
194 <\/td>\n S CHANDRASHEKHAR <\/td>\n RADHIKA RAMNATH <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
195 <\/td>\n COLLINS DICTIONARY AND THESAURUS <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
196 <\/td>\n JUGAD INNOVATIONS <\/td>\n NAVI RADJOU <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
197 <\/td>\n THE POLITICS & PHILOSOPHIES OF ECONOMICS <\/td>\n T W HUTCHSON <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
198 <\/td>\n OUTSIDE THE WHITE LIVES <\/td>\n CHRIS SIMMS <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
199 <\/td>\n INTERNATIONAL DEVELOPMENT <\/td>\n MAGGIE BLACK <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
200 <\/td>\n DECODING RAHUL GANDHI <\/td>\n AARTHI RAMACHANDRAN <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
201 <\/td>\n MAHATMA GANDHI’S ECONOMIST <\/td>\n J C KUMARAPPA <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
202 <\/td>\n DEVELOPMENT, DIVINITY & DHARMA <\/td>\n MALCOLM HARPER <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
203 <\/td>\n FEDERALISM, NATIONALISM & DEVELOPMENT <\/td>\n PRITAM SINGH <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
204 <\/td>\n KEYUES <\/td>\n ROBERT SKIDELSKY <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
205 <\/td>\n KERALA <\/td>\n JOSEPH THARAWANGALAN <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
206 <\/td>\n THE ZAKIR HUSSAIN MEMORIAL LECTURES <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
207 <\/td>\n BOOKLESS IN BHAGDAD <\/td>\n SHASHI THAROOR <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
208 <\/td>\n MONETARY THEORY & FISCAL POLICY <\/td>\n HAUSEN <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
209 <\/td>\n INDIAN ART <\/td>\n PARTNA MITTER <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
210 <\/td>\n THE IDEAL OF NATURAL INEQUALITY <\/td>\n ANDRE BETEILLE <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
211 <\/td>\n SOCIAL MOVEMENTS IN INDIA <\/td>\n GHANSHYAM SHAH <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
212 <\/td>\n STATE OF DEMOCRACY IN SOUTH ASIA <\/td>\n OXFORD <\/td>\n <\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

SL. NO. TITLE OF THE BOOKS AUTHOR PUBLICATION & PUBLISHER LIBRARY ACC NO 1. RABINDRANATH TAGORE OMBIBUS 1st RABINDRANATH TAGORE RUPA PUBLICATIONS, NEW DELHI 07 2. RABINDRANATH TAGORE OMNIBUS 3rd RABINDRANATH TAGORE RUPA\u00a0 PUBLICATIONS, NEW DELHI 08 3. PRACTICAL ENGLISH USAGES MICHAEL SWAN OXFORD UNIVERSITY PRESS, OXFORD 2005 09 4. RABINDRANATH TAGORE OMNIBUS 2nd RABINDRANATH […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3210,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6816","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/alvascollege.com\/wp-json\/wp\/v2\/pages\/6816","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alvascollege.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/alvascollege.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/alvascollege.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alvascollege.com\/wp-json\/wp\/v2\/comments?post=6816"}],"version-history":[{"count":5,"href":"https:\/\/alvascollege.com\/wp-json\/wp\/v2\/pages\/6816\/revisions"}],"predecessor-version":[{"id":9525,"href":"https:\/\/alvascollege.com\/wp-json\/wp\/v2\/pages\/6816\/revisions\/9525"}],"up":[{"embeddable":true,"href":"https:\/\/alvascollege.com\/wp-json\/wp\/v2\/pages\/3210"}],"wp:attachment":[{"href":"https:\/\/alvascollege.com\/wp-json\/wp\/v2\/media?parent=6816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}